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Eugene Atget
Tom Baril
Frank Brangwyn
Anne W. Brigman
John G. Bullock
Edward Curtis
John Dugdale
Louis Fleckenstein
Trude Fleischmann
Vincenzo Galdi
Charles Gaspar
Arnold Genthe
Wilhelm von Gloeden
Paul Burty Haviland
E.O. Hoppé
Gertrude Kasebier
David Lebe
Gustave Marissiaux
Josef Desire Massot
Alfonse Mucha
William J. Mullins
Jerry Ott
Maxfield Parrish
Jozsef Pecsi
W. B. Post
Photo-Secession
Charles Schenk
Eva Watson-Schutze
George H. Seeley
Mark Sink & Kristen Hatgi
Jock Sturges
Nana Watanabe
 

Untitled (Woman with hat and fur muff), n.d., Platinum print, signed in pencil on recto, 13 3/4 x 10 3/4 inches, (exhibited: The Berkshire Museum 5/3/86 – 11/23/86, Smith College Museum of Art 10/16/86 – 11/23/86, Krannert Art Musem, Univ. of Il., The Currier Gallery of Art) P.O.R.

(American 1880-1955) George Seeley was an important member of the circle of photographers that formed around Stieglitz during the time of the Photo-Secession. Influenced early in his career by the work of F. Holland Day, Seeley’s contribution is ranked with Stieglitz, Steichen, Kasebier, Eugene, Coburn and White. Seeley’s most active period, from 1904 to 1912, coincided with his employment in the Stockbridge public schools as art teacher and supervisor of drawing.

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